Letterkenny consists of hicks, skids, hockey players and Christians. These are their problems. Canadian TV series. CHECK THE STICKIED POSTS FOR IMPORTANT ANNOUNCEMENTS.
Just discovered that my daycare is giving my son (14mos) a pacifier during the day, although we’ve never used one at home and don’t allow it anywhere else. (We live near his daycare and I routinely see them on their morning walk, which is how I discovered the pacifier use.) setting aside that I have no clue where the pacifiers are coming from (not me), how do I handle this? How can I make sure this stops when I can’t be at the daycare to monitor? I have reached out to the daycares director and hopefully she will have some answers.
Beyond that, how do I help my son deal with how confusing it might be to suddenly stop getting a pacifier, when he’s gotten used to using one during the day? I’m apparently going to need to wean him off something I never got him on in the first place….
Looking to make friends and someone to me to post on here. I like to shop, the beach, garden, fish, and being outside. Send me a chat if you want to talk. Please be near my age
I was wondering if there has been any services like swvl nowadays, it was safe and convenient for me. Now, I need regular rides near teen talwar to KU so if anyone knows a service that has such routes then it will be very appreciative
Reading how asexuals have been treated at pride events in the past is honestly sad and makes me angry. Read a story about people of other sexualities harassed asexuals out of the event in Toronto (largest city near me) back in 2010 to the point of r*pe threats. 2010 was ages ago.. I'm sure some things have changed but that just gives me chills right down my spine and is unforgiveable. I have encountered queer people who are oddly bigoted towards asexuality for years even in recent times including an ''open'' Lesbian doctor who mocked me an the ER for being a virgin. I had a terrible kidney infection and she had to examine me. The topic of sexual partners came up and...
I don't really feel asexuals are accepted at this ppint in time by other queer people. Some people have come around but others have not. I would rather just not bother with pride.
hi all! here’s the situation— my boyfriend started BCT in mid april. that first sunday, i got a call. the next sunday, i didn’t. the following one, i did. now, it’s been nearly 3 weeks of absolute silence. i want to emphasize that i am extremely aware that phone calls are a privilege for them, and it can be revoked at any time. he even explained that the first time he wasn’t able to call was because of that exact reason, so i’m not too worried on that front. the part that worries me is now it’s also been nearly 3 weeks without any letters as well. i’ve been writing him every day and sending them about every other day, but i’ve stopped receiving any. i’ve gotten 3, and the last one was postmarked from the first week of may… the last time i talked to him he said he had started writing a new one, but i’ve still gotten nothing. should i be worried, or is this semi normal? i know mail can be lost and delivery can be slow, but 3 weeks feels painfully long. i guess i’m just looking for others’ insight on if this is a common amount of time to hear nothing? TIA
Hi my phone got stolen near SAP LABS bus station, nearKundalahalli metro station can someone tell me which police station will that come under. Please help ASAP required.
B and I got together when we were both 20. We were friends in middle school and high school. She would later tell me she had a huge crush on me and would have jumped on me given the chance. She had a boyfriend who was 2 years older than us, played hockey and had a badass truck given to him by his parents and B (my ex) was a blonde smoke show. I was not even in the same league in my eyes, but apparently he would walk her to and pick her up at social studies because she had told him she liked me and he was jealous.
Fast forward to when we were 20. I was scrolling Facebook one night and she had posted she was bored. I commented simply "do something about it" she Dm'd me right after and I asked if she wanted to hang out. It just so happened to be a provincial holiday with fireworks, so we walked to the harbor and watched them, after we went and played pool at a bar and to finish the night we drove to a beach and laid on the hood of my truck and watched the stars, then had the best sex I've ever had in my life. Turned out to be the perfect date just by chance.
I had found out a few days later through the grapevine that she had just gotten out of a very bad relationship and had gotten tied up in heroin with the guy. She was still addicted, but being a 20 year old working in camp and the connection we had from before everything I kept seeing her when I was on my off shift.
Turns out when you fuck someone 12 times a day for 7 days straight who has a less than perfect routine with birth control, they can and will get pregnant. We were 20 and more or less FWB and she was still doing drugs so I asked if she would get an abortion. She said no. I couldn't stand the thought of leaving a child with a drug addict, even if she was young with good parents and on track to clean up, so I stayed.
Over the years we ended up having a great relationship. looking back on it 12 years later and it was amazing. She cleaned up while pregnant, we rented a big house in a rural suburb, we had our daughter and we had our perfect little family. She ended up starting college to be a nurse when our first child was about 18 months old .Were then making good money and were getting set up pretty well in life at this point, so we decided to have another child.
We ended up buying a house in the same area later on near some friends of ours. At the time I thought it would be great being so close to good friends, later it turned out this was not the case.
Over the years of living in our own house my ex would drink with her friends more and more. To the point it got really bad, she would drink every day, wake up at noon or later on every weekend leaving me to do things with the kids alone. She gained alot of weight and started smoking cigarettes too. She was getting depressed and would not make any changes to her lifestyle saying it's not that bad. All of this was a huge strain financially and emotionally on our relationship. We got abusive and toxic with each other and our perfect life and family was turning into hell.
I ended up leaving the house 6 months ago. I took our travel trailer and lived in it at my aunt's. I kept paying the mortgage and car payments as we were going through our separation, I was offering her a buyout over 100k below market to keep her and the kids in their home, this would give me just enough to start over and her mortgage payment after child support would be very easy to deal with. She was not taking the separation well, she believed I would come back but I told her over and over that we were finished.
My mother in law called me a couple days ago and told me she found B dead in her bed with family photos around her. She overdosed herself. I'm going to say right now that B is one of the strongest ppl I know, she overcame that terrible drug for aver 10 years and we had the picture perfect life that would not have been possible with her hard work and determination. I had no idea I still loved her so much still. I've been crying for 2 days straight. My heart is breaking for my kids, they are destroyed by this.
I feel like a peice of shit. I should have helped my best friend when she was on a downward slide, yet I just left. Now she's gone because of me leaving. Everyone is saying it's not my fault but it is, we were holding each other up. She would have never touched that stuff if I hadn't left and now my children's beautiful mother is dead and I have to try and raise my 2 beautiful children by myself.
Look around you and your life, remember how short it is and dont take for granted those you love.
Almost immediately after Glacier was established as a national park, Louis W. Hill, president of the Great Northern Railway, began building a series of hotels, chalets and tent camps throughout the park. The buildings were modeled on traditional Swiss architecture, and were part of Hill's strategy to portray Glacier as the "American Alps" or "America's Switzerland." The accommodations would in-turn help the railway promote tourism to the new national park, while at the same time promote their rail line as the primary mode of travel to the park. This would also allow them to compete against their chief rivals; the Canadian Pacific Railway and the Northern Pacific Railway, who were already transporting tourists to Banff and Yellowstone by that time.
The Belton Chalet in West Glacier, and the Glacier Park Lodge in East Glacier Park were the first two hotels to be constructed by Great Northern. Both acted as gateways from railroad depots to the interior of the park. Between 1910 and 1915 the railway also constructed eight Swiss-style backcountry chalet complexes, each connected by a network of trails. The complexes were strategically located at Two Medicine Lake, Cut Bank, St. Mary, Sun Point, Granite Park, Many Glacier, Gunsight Lake and Sperry Glacier. Tent camps were also established at Red Eagle Lake, Cosley Lake, Fifty Mountain and Goat Haunt. The chalet and tent camps were located roughly 10-18 miles apart. During their prime most of the chalet camps could host between 100 and 150 guests per night. Hill would explain to newspaper reporters that the “lodges would be located only far enough apart so that the man on foot even could make the trip and obtain sleeping accommodations,” and that “hotel accommodations of a more prestigious type or tents for the most modest could also be furnished.”
As construction on the new chalets progressed through the early 1910s, the railway also constructed the trails that would connect each of them by foot or horse travel. Because of a lack of federal funds, the Great Northern Railway assumed financial responsibility for all trail construction during this time period, but was eventually reimbursed as funding became available. Some of the earliest trails developed by the railway included Swiftcurrent Pass, Gunsight Pass, Mt. Henry, Red Gap Pass, Gable Pass, Triple Divide Pass, Piegan Pass, Pitamakan Pass and the St. Mary Lake trails. Many of these early trails were routed along Indian paths, prospector trails or old game trails. Great Northern would continue to improve or construct new trails within the park into the early 1920s. As the network of trails expanded, organized tours by horse concessionaires began to emerge. In 1915 the Park Saddle Horse Company became the sole concessionaire for the park, and began organizing a series of guided tours that utilized the existing network of chalets and trails. This included the North Circle, South Circle and Inside Trail trips, which encompassed roughly 163 miles of trails, each of which is now on the National Register of Historic Places. The company also offered the Logan Pass Triangle Trail trip, which traversed across the heart of the park utilizing routes from the other tours, as well as the now abandoned Logan Pass Trail. The concessionaire offered a variety of options, from half-day excursions to extended trips lasting up to two weeks. Most of the so-called circle tours, however, lasted between three and five days. During the 1920 season the company charged roughly $4.00 per person, per day to take one of its saddle-horse tours.
The park visitors that took these tours were “guided by ‘cowboys,’ lunched near glacial lakes and then dined in comfort on Chinese linen and blue willow china”. Park rules dictated that the Park Saddle Horse Company had to furnish at least one guide for each ten tourists on a trip. Parties could reach as large as 180 people and 200 horses. It’s estimated that the concessionaire used more than 1000 horses during its peak, with at least one source estimating as many as 1500 head of horses. The 1922 park brochure bragged that there were "more saddle horses used in Glacier than in any other similar recreational area in the world". From everything I’ve read that record has never been surpassed.
The saddle-horse tours were the dominant method of seeing the park until the Going-to-the-Sun Road was completed in 1933. Although the tours continued for another ten seasons, they came to a permanent end after the 1942 season when America became fully involved in World War II.
** This article is an adaptation from my book, "Ramble On: How Hiking Became One of the Most Popular Outdoor Activities in the World", which chronicles the rich and compelling history of hiking.
Sorry if that will get long...
I've always been pretty sensitive to noises, but never to the point it would be a big problem for me.
However, the last few years were pretty hard for me, anxiety, health issues, problems in relationship etc. That made me sleep poorly and be bothered more by noises from neighbours or the street. Recently, on top of this, they started new tram line right next to my place and the noise is objectively big (but apparently not loud enough to exceed legal standards because its not constant and they count average). Its not that bad with closed windows (yet noticeable) and my family somehow got used to this, but I went through serious breakdown and nothing is the same since then. I can't sleep even when I am somewhere else. The tiniest noise at night makes me shake and wanna cry. My ears keep scanning environment, my mind keep thinking "Is it tram? loud motorcycle? train? what will come next? when? how many seconds of silence before next one?" I can't accept any noise when trying to fall asleep and even when its silent, Im nerviously waiting for next sound to break it.
I tried earplugs, but then I hear my heart pounding and Im so unfomfortable (and they don't plug my anxious mind after all). Sleeping pills either don't work or make me unacceptably drowsy next day. All anti-anxiety pills I tried gave me terrible side effects, so no, thank you for that. I'm thinking about moving, but I won't do this in the near future.
Anyway, finally to the point. I know that meditation can teach you to be more indifferent to your thoughts and also to the things registered by your senses. I was a bit interested in this some time ago, but never gave it a serious shot. Now I'm thinking - could meditation help me learn to live and sleep with those sounds? Its not level of noise that would be harmful to the ears its just my mind getting panicky every time I hear it. How can I work on that using meditation? Is it even possible?
I will be grateful for all opinions and tips.
Basically the title - is there a good track to go from a Software Engineer to Sales Engineering/Solutions Consultant? That is to say, is my technical expertise sought after in a way that would give me leverage?
I am 24, and have been a SWE at the same company for nearly 3 years (this was my first job out of college with a CS degree). The pay and work life balance are great (100% WFH and make low six figures salary). But I’m not satisfied with my work - I’m not in love with the idea of building apps/websites forever.
That realization is making me consider whether I’d like to apply these concepts I fell in love with at a higher level of abstraction (as a salesman), or hope I fall back in love with being the implementer of these concepts again. That, and I’d like to use the interpersonal skills I have, combined with more technical prowess than the typical salesman.
Is it worth trading solid job security in a role I’m good at (but do not enjoy very much), for a role that may better suit me as a technical salesman? I’m looking for advice on what to think about when making this decision, and if you have made this switch before I would love to hear your thoughts.
I expect my work life balance to be worse if I make the switch, with the compromise being a higher pay/career ceiling if I am a high performer. Is that an accurate assessment?
TLDR - Advice needed on switching from SWE job with great work life balance and pay, (but low fulfillment), to a SE shooting to become an Account Executive or something comparable over time.
So,
we already discussed what DC was doing to match the tenor of the early years of the War on Terror: A grim, smarter-than-it-thinks miniseries full of gratuitous rape that was meant to take the shine off the Silver Age by showing the darker side of its greatest heroes. Marvel, on the other hand, was trying to find a way to capture the zeitgeist of a post-9/11 era of existential threats, constant government surveillance, and the idea that if you weren’t with America, you were against it. A
Captain America storyline saw Cap wrestle with the very concept of Guantanamo Bay; like any story arc that involves Cap doubting whether America lives up to its ideals, this made certain conservatives pissy, to the point that bad movie cataloguer Michael Medved
wrote an entire article asking if Cap was a traitor.
Avengers Disassembled briefly saw the Avengers face down their demons, as the Scarlet Witch goes crazy (again) and starts killing team members, her reality manipulations causing fault lines to form among Marvel’s greatest superteam. But there hadn’t yet been a storyline that would tie the entire Marvel Universe together with the burning question, “Which side are you on?”
Yeah, it’s got nothing to do with the Sokovia Accords. We’d be a lot better off if it did.
Part 1: Mark Millar’s March to the C-Word Content Warning: Sexual assault. None of this is germane to the topic of the drama, so feel free to skip ahead to Part 1.5 if you don’t want to deal with this. Tl;dr: Mark Millar, the writer of the event, has a near pathological need to be a 3edgy5u contrarian. Every comics crossover is ultimately a chance for one creative in the stable to shine or falter. The editors pick a writer who has turned out dependable work and give them a chance to try to alter the status quo but good. And for
Civil War, Marvel’s EiC Joe Quesada decided the best person to lead the charge was
Ultimates writer Mark Millar.
But who is Millar? Well, we could say “edgelord” and leave it at that, but we’re trying to dig deeper. Millar came up in comics alongside fellow Scot Grant Morrison, long before Morrison said
the only time they want to bump into Millar on the streets of Glasgow is while going at 100 miles per hour. This antipathy is alleged to have stemmed from Millar copping several ideas from Morrison that went into
Superman: Red Son. But after getting a start on
Superman Adventures and as a cowriter on parts of Morrison’s
JLA run, Millar soon branched out to WildStorm, where he took over
The Authority from departing creatowritesex pest Warren Ellis.
The reason I bring up
Red Son (for those non-geeks, an alternative universe comic premised on “What if Superman’s rocket had landed in Soviet Russia?”) is to frame a constant refrain about Mark Millar. He has good high-concept ideas… which often get trammeled up in an almost Pavlovian urge to shock, disturb, and/or titillate the reader. For instance, in
The Authority, Ellis had introduced Apollo and Midnighter, two close companions who just happened to share the rough power sets and demeanors of Superman and Batman, with a few tweaks. Then he revealed they were boyfriends, which was a pretty bold move for a late Nineties comic book full of widescreen action and lovingly-rendered eviscerations.
In Millar’s first arc on the title, centered on a villainous Jack Kirby clone sending out a team of baddies who totally aren’t the Avengers, Apollo is subdued and is strongly implied to have been raped by someone who’s not Captain America. Apollo gets revenge by destroying EvilCap’s spinal column with his laser vision, then leaving him to the tender mercies of Midnighter, who is strongly implied to have sodomized him with a jackhammer.
In case you can’t tell, Millar loved him some rape. And it kept showing up in his creator-owned titles as well, all of which were basically written as Hollywood pitch docs.
Wanted asks the question, “What if the supervillains won and secretly ruled the world from behind the scenes?” Well, an Eminem clone would take the opportunity to step into his dead villainous dad’s shoes and commit a lot of rape (yeah, there’s a reason the movie version replaced this with basically the Euthanatos from
Mage: the Ascension getting orders from a magic loom).
Chosen asks the question, “What if Jesus were born today?” Well, in a blatantly obvious twist, it turns out he’s actually the Antichrist, and part of his journey into realizing his evil nature involves being raped by all the demons of Hell.
It’s not that Millar can’t write innocent or restrained; he got started on the
Superman: the Animated Series comic spin-off, and some of his titles such as
Huck and
Starlight have been praised for being relatively wholesome (keep in mind
Huck is basically “What if Superman was Forrest Gump?” when I say “relatively”). And, as mentioned above, his works are made for high-concept log lines. You might recognize some of his various pitch docs:
Kick-Ass,
The Secret Service (source for the
Kingsman movies), and, as mentioned above,
Wanted. It’s just there’s this unctuous contrarian streak to a lot of his titles, a tendency to focus on venality, grotesquerie, and sodomy, with an air of pop culture edge. This also leaked into his image outside of his writing, with comments like
“Games are for pedos” and ventures like the creator-owned comics periodical
CLiNT (yes, the kerning is intentional). This streak continues to this day, as
The Magic Order, a title that emerged from his deal with Netflix, features a magical escapologist who, she feels it very important to tell the reader in a direct monologue,
escaped her own abortion. Bottom line, Millar has a sense of vision, but it’s betrayed at times by this reflexive desire to prove he’s smarter than the reader, to rub your face in the contradictions and make you a party to the artifice of it all. Usually with a dash of rape.
But at Marvel, Millar was riding the lightning of the Ultimate Universe. His
Ultimates title was drawing on the wide-screen action image of
JLA and
The Authority, creating the cinematic language that would come to define the MCU. The choice to fantasy cast Samuel L. Jackson as Nick Fury is why we have Samuel L. Jackson as Nick Fury. He also painted the Hulk as a cannibalistic monster, cemented Hank Pym’s reputation as a wifebeater, and gave us Captain America yelling “Surrender? Do you think this A on my head stands for France?”, so let’s just keep that in perspective.
But the Ultimate Universe was its own pocket universe. Millar was being tapped to write a story for Earth-616, the main Marvel Universe.
And he had a vision:
“I opted instead for making the superhero dilemma something a little different. People thought they were dangerous, but they did not want a ban. What they wanted was superheroes paid by the federal government like cops and open to the same kind of scrutiny. It was the perfect solution and nobody, as far as I'm aware, has done this before.”
Yeah. About that.
Part 1.5: What Has Come Before Ultimately, the crux of
Civil War is something that has been explored lightly in the past at Marvel: The idea that, instead of being unlicensed vigilantes who decide the best solution of societal issues is to beat up assholes in spandex, superheroes become licensed government officers that register their true identities with Uncle Sam and solve societal issues by beating up assholes in spandex. In Marvel’s history, it hasn’t gone well. The reality of government liaisons to superhero bodies has ranged from Valerie Cooper, who worked with government mutant team X-Factor but still found herself backing the genocidal Sentinel program as a big “Yeah, but what if…?”, to Henry Peter Gyrich, an inflamed obstructionist asshole who had to be held back from flipping a switch that would depower every superhuman individual on Earth. The idea of heroes themselves bristling against a government they disagreed with had a long history, as there was a period where Steve Rogers quit being Captain America, and the government had to find a replacement while he rode around on a motorcycle in
a surprisingly slutty costume. But the idea of registering with the government has usually ended up on the “No” side due to one big cohort at Marvel: Mutants.
Ever since the days of Chris Claremont, a general conceit of the Marvel Universe is that mutants are a stand-in for your minority group of choice. Hated and feared, born different and feeling alienated, painted as an existential menace and threat to the status quo. Of course, it’s long been pointed out that the metaphor breaks down on the general grounds that, say, gays can’t shoot laser beams out of their eyes. I have my thoughts on that which I might share in the comments if someone pokes me hard enough, but it’s been general editorial consensus that people with powers, especially those of persecuted minorities, being compelled to share their true names, addresses, and natures with the federal government is a “That train’s never late!” move. Not only that, it’s a slippery slope. The classic X-Men story “Days of Future Past” is entirely premised on the idea that a government program of genocidal robots built to wipe out mutants will eventually run out of mutants… and then start turning on humans who could give birth to mutants, and then it’s Skynet all over again.
Another running meme in the Marvel Universe is that the X-Men usually exist in a Schrodinger’s cat situation with the rest of the superhero universe, both coexisting and in their own worlds. Yes, mutants have served on the Avengers, and yes, Thor intervened when the Morlocks were nearly wiped out in the sewers under New York. But Captain America, for all his proud statements of living up to America’s ideals, has a habit of missing the plot whenever the US government (or Canada, seat of all the Marvel Universe’s governmental evils - no, really) decides it’s Genocide O’Clock. And when the mutant nation of Genosha was completely wiped out by said murder robots, the Avengers seemed to be all “New phone who dis?” But when the two do intersect, there’s usually support for the mutants. One story in
Fantastic Four had Reed Richards - Mr. Fantastic, stretchy man, greatest genius in the Marvel Universe, guy who’s probably being cucked by a fish-man - get tapped by the US government to make a device that detects mutants and other people with powers. He does… and then uses it to show why the government probably doesn’t want it, as it pings several members of Congress as having just enough genetic variation to qualify as “mutants,” even if they don’t have powers.
All in all, while the argument has some merit, for years, Marvel has come down on the position that asking people with powers to reveal their identities to the federal government is something that could go really bad if somebody with a hate-on for superheroes ends up in power. Something that would never happen oh yeah it totally did. But before it all went to Hell,
Civil War at least gave an opportunity to reexamine the concept and see if it had merit.
It might have. But not with this argument.
Part 1.75: What Else Has Happened Before? And now, some things that will ultimately give context for what happens next:
- In the pages of Thor, all of Asgard eventually runs headlong into Ragnarok. Thor and the rest of the Asgardians give their lives to save the earth, taking Thor off the board… for now.
- As mentioned above, the Avengers experience a critical fault due to Wanda going batshit (a common lament). With Avengers Mansion destroyed and the team at odds, it is eventually reunited under Tony Stark, who put the Avengers up in a tower he built.
- Nick Fury has vanished due to doing some skullduggery in the pages of the miniseries Secret War (no, not Secret Wars, this is different). Acting head of SHIELD, the all-purpose super spy squad of Marvel, is Maria Hill, who can’t seem to draw her pistol without shooting herself in the foot.
- Due to Wanda continuing to go batshit, the House of M crossover event ends with her casting a spell: “No more mutants.” While the damage is staunched, Earth-616’s population of mutants (which was recently established to be somewhere around 16 million) is reduced to 200, the rest being depowered or dying as a result of being depowered. This was because, as Editor-in-Chief Joe Quesada said, the idea of mutants being everywhere made them “boring.” The fact that mutants were starting to be written less as a minority stand-in and more as an actual minority group with fashion, culture, music, and neighborhoods might have had something to do with that. From the wake of this event emerges Sally Floyd, a journalist whose own mutant daughter died before the mass depowering due to having a power that was more curse than blessing. The series Generation M follows her as the viewpoint character as she investigates the stories of former mutants.
Part 2: Connecticut Can’t Catch a Break The big kick-off for
Civil War involves the New Warriors, a team of teen heroes who have, as of a recently canceled series, been trying to make it big as reality TV stars. They get in a fight with a bunch of villains in the small town of Stamford, CT, when exploding villain Nitro goes positively nuclear, resulting in a blast much bigger than any he’s generated. [1] Not only does this mostly wipe out the New Warriors (save for kinetic energy-absorbing goofball Speedball), but it also happens to hit a nearby school. In the end, 612 people are dead, many of them children, and the nation wants answers.
With public opinion turning against the New Warriors, former member Hindsight starts leaking secret identities to get the heat off his back. This only makes things worse. Secret identities have only recently stopped being a thing for some heroes: Captain America only came out a few years ago, it was only recently that Tony Stark stopped pretending Iron Man was his bodyguard, and Daredevil was almost outed in the pages of his book. But something needs to be done, so Tony helps work with Congress to pass the Super Human Registration Act, which requires that all people with powers or working as vigilantes register their identities with the government to receive training and oversight. If you don’t? Believe it or not, jail, right away.
Fault lines quickly develop in the superhero community. While Tony is leading the “pro” side, alongside Reed Richards (yeah, we’ll get to that), Captain America, usually painted as the embodiment of the dream of America despite its compromised history and many sins, is against it. He’s lived through Richard Nixon being a secret fascist and shooting himself in the head after being fingered as mastermind of a vast criminal conspiracy ([yes, that happened](SE02.jpg) ); he knows how badly this could go in the wrong hands. Needless to say, Maria Hill and SHIELD hear his concerns, understand his problems with it, and are willing to iron out the kinks through reasoned debate.
Just kidding. Before the law has even been signed, Maria sics SHIELD’s elite Cape-Killers squad on Cap with the intent of getting him behind bars. Cap swiftly goes underground and starts his own group of anti-registration superheroes.
The fight continues for the next few issues. Spider-Man, caught in the middle, reveals himself to be Peter Parker at a press conference, declaring his support for the SHRA. Doctor Strange is so powerful that he tells the government to fuck off, and somehow, Maria Hill doesn’t decide to go charging up his asshole. Ben Grimm, the ever-loving blue-eyed Thing, is so sick of all the conflict he goes to France. But things are still at a stalemate, and while SHIELD may be acting like a bunch of merry assholes, it seems like there’s a debate to be had that could still be resolved reasonably… except for one key factor.
Part 3: I Fought the Law, and the Law… Huh? No one ever really defined what the Super Human Registration Act, the legislation that tore the Marvel Universe’s superhero community asunder, did. Every book that had an issue that touched on the event seemed to have a different understanding of its principles, as well as just how fascist it might be in the long run. In the pages of
She-Hulk, attorney Jennifer Walters/She-Hulk argues the law is a net good, as it gives heroes the backing and resources they need to not have to go it alone, while also having some measure of government oversight. In the pages of
Civil War Frontline (oh, and we’ll get
back to
Civil War Frontline, don’t you worry), Wonder Man is told by the government that he needs to do a job for them, and if he refuses, well, one thousand years dungeon.
Which then leads into the
other issue behind the SHRA. Namely, that everyone in favor was either starting to swing towards fascism or embracing bootlicking as a lifestyle, not a kink. In the pages of
Amazing Spider-Man, Peter asks Reed Richards, who has always bucked authority and once stopped the US government from doing something just like this with mutants, why he’s pro-registration. Reed then reveals
that an uncle who has never been mentioned before was called before HUAC; he refused to name names, his career was ruined, and he killed himself. From this, Reed - the man who stole a rocketship because the government said “no” to his planned space voyage - has learned that the government is always right, especially when they could step on your neck (this was received so badly that a later comic revealed he’d actually borrowed the concept of psychohistory from Asimov’s
Foundation, he’d made it work somehow, and his calculations showed that this was the only way to avoid a greater disaster). This comic also revealed that people who were in violation of the SHRA were sent to a literal extradimensional Gitmo, a prison in the Negative Zone that later comics would reveal was overseen by… Captain Marvel. No, not that one. No, not
that one. The Kree superhero Captain Mar-Vell, who had famously died of cancer decades before. How did he come back from the dead? Fuck if we know.
This “the law says what you want it to say” approach spread across various books and miniseries meant to cross over into the event. In the pages of a crossover mini between the Runaways and the Young Avengers, this meant SHIELD Cape-Killer squads were using lethal force against
teenagers. The second-to-last issue of the mini ends with several members of both teams in extradimensional Gitmo, about to be dissected by a guy who’s horny for torture. The fact that all the captive heroes were the queer members of both teams? Total coincidence. Honestly.
So, it quickly becomes clear that the editorial control on this event is less than cohesive. There are different ideas all over as to what the SHRA does, and some of those ideas are tacking pretty fashy. But if the law is being painted as
that bad, then clearly, there must be some greater statement of freedom vs. security. Maybe Millar’s really painting a subversive picture of what happens when you trade liberty for control, right?
Part 4: Why Do You Hate the Good Thing? After the publication of
Civil War #3, Millar would say in an interview he was actually
pro-registration. I can’t find that interview,
but here’s a similar sentiment shared years later:
“Weirdly, some of the other writers would often make Tony the bad guy, which I thought was a strange choice because I was actually on Tony’s side... In the real world, if somebody had superpowers, I’d like them to be registered in the same way that somebody who has a gun has to carry a license. But a gun can kill several people while a superhero can kill several thousands of people, so on a pragmatic level I’m 100% on Tony’s side. Maybe on a romantic level, Cap’s position makes sense but I don’t think anybody in the real world would really want that."”
And again, here’s the thing:
He’s not entirely wrong. As said above, the idea of civil liberties for all and “free to me you and me” falls down a little when one of your neighbors can blow up a city block by thinking real hard. But Millar is fighting against years of ideological inertia in the Marvel Universe, as well as painting Captain America, the guy who has always embodied the ideal of a righteous, just America, as in the wrong. He needs to make one hell of an argument.
So here’s what happens in the pages of
Civil War #3 to sell the audience on the SHRA:
- Thor comes back from the dead… and he’s on Tony’s side! Well, not really. Tony and Reed both realized that having one of the most beloved gods of the Marvel Universe come out on their side would be a big win… if only he wasn’t dead. So, they cloned him. Or rather, they T-800’d him, putting cloned divine flesh on a robot skeleton. But I’m sure he’s perfectly under control, and - oh, he just killed Goliath. In the next issue, one of Marvel’s black male heroes, frozen at the size of a small townhouse in death, will be buried in a gigantic ditch, wrapped in a tarp and chains. You’d think Hank Pym could grow a large enough coffin, at least.
- With Cap and the anti-registration side escaping once again, Tony decides he needs a dedicated team that can track down fugitive superhumans. To do so, he creates a new version of the Thunderbolts, a concept long associated with “villains acting like heroes.” And who does he put on this team? Venom, the Spider-Man villain who eats people’s brains; Bullseye, the Daredevil villain who will kill anyone for the lulz; and Norman Osborn, a.k.a. The Green Goblin, who famously murdered Spider-Man’s girlfriend Gwen Stacy.
Again. Tony’s in the
right. The SHRA is
good.
Part 5: Yadda, Yadda, Yadda The next few issues of
Civil War might best be described as “They fight, and fight, and fight and fight and fight.” The anti-registration side picks up The Punisher, Marvel’s most avowed murderer of criminals - and Cap is somewhat shocked but not entirely surprised when two minor villains join the anti-registration side and Frank promptly kills them on sight. Spider-Man starts realizing things are weird on the pro-reg side and defects, after he has set his entire life on fire. The X-Men have continued to stay out of this whole mess. In the lead-up, Emma Frost called Tony out on the Avengers’ complete absence when Genosha got nuked. Later, Carol Danvers (then Ms. Marvel, now Captain Marvel) will show up at the Xavier School to pitch the SHRA just after a massive terrorist attack kills dozens of students. Emma responds by
telepathically dogwalking her.
By the final issue of the miniseries, the SHRA has expanded out into the Fifty States Initiative, wherein each state gets its own superteam. There’s a big final battle, Hercules kills Robo-Thor, and Cap nearly takes out Tony, only to be stopped by… the heroes of 9/11. No shit,
Captain America is subdued by cops, firefighters, and paramedics. And when that happens, Cap finally takes a look around, realizes their big ideological street brawl has resulted in collateral damage, and surrenders. The SHRA wins, though Tony feels a little bad about it. Cap is ready to stand trial and to argue that, while he may have done something wrong, he did it for the right reasons.
Once again: Yeah. About that.
Part 6: MySpace Tom Didn’t Die For This Running alongside
Civil War is
Civil War Frontline, a street-level book written by Paul Jenkins that managed to capture this world-breaking conflict through the eyes of people on the street. Though it has side stories, its main leads are Ben Urich, Peter Parker’s journalist buddy at The Daily Bugle, and the aforementioned Sally Floyd. Throughout the series, they start to realize there’s a story underneath the SHRA, as if somebody is playing the angles.
Before we talk about that conclusion, let’s talk about a side story. Remember how we said part of the comics community saw
Identity Crisis as a driven effort to make things less “wacky” and intentionally darken the DCU? Well, that same tonal approach led to one of the more laughable moments of a pretty laughable arc. See, despite the fact that, as established, it was Nitro who blew up Stamford, it’s Speedball, the only survivor of the New Warriors, that views himself as responsible and is held up as a scapegoat by the general public. In addition, the blast screwed up his powers. Now, he doesn’t absorb and reflect kinetic energy; rather, he generates energy based on pain. So, he builds himself a new,
extreme outfit lined with 612 spikes, one for each person who died in Stamford. This will drive his crusade to make things right - not as Speedball…
but as Penance.
It was so laughably DeviantArt “OC do not steal” that no one could take it seriously. Look what you did, you took a perfectly good goofball and gave him an emo streak. The turn is
swiftly mocked in other Marvel books, and it’s eventually revealed that Speedball still had his original powerset and always intended to put Nitro in the Goofy Suit of Dark Inner Torment as punishment for his crimes. But this turn gives you a sense of the tone and heft Jenkins was bringing to the proceedings.
Anyway, back to the main plot. Ben and Sally follow the thread as Namor, as he is wont to do, declares war on the surface world after an Atlantean diplomat is shot. But it turns out the assassination was arranged by Norman Osborn, who decided it was better to beg forgiveness than ask permission and manipulated Atlantis into war so that Tony could have another piece of evidence for getting superhumans on a leash. And the two journalists deduce that, on some level, Tony
had to know this would be an inevitable outcome of giving state backing to an unhinged mogul who dresses like a Power Rangers villain. Weighing what to do with this information, Ben and Sally, who are kind of sick of the collateral damage by this point, sit on it while they go in for an interview with Captain America, now in custody and willing to tell his side of the story.
And then. And
then. The
monologue. If you want a lesson in how to assassinate a character in 30 seconds or less, this monologue is a great example. Sally Floyd calls Captain America out as completely divorced from American values. Now, again, Captain America has long served as the beating liberal heart of the Marvel Universe. He has always represented an America that reckons with its legacy of things like internment camps, Manifest Destiny, and Jim Crow, in order to transcend these scars and embody the promise offered by Emma Lazarus’s
New Colossus, carved on the side of the Statue of Liberty. Why is he out of touch with Americans at the dawn of the 21st century?
Well, he’s never heard of MySpace. [2]
He doesn’t watch NASCAR. He doesn’t follow American Idol. There are pop culture moments that have aged like milk; this one had all the permanence of an ice cream cone in a blast furnace. But despite the inanity of Floyd’s argument -
and trust me, there are fan edits dedicated to Cap pointing out how full of shit this argument is - it’s clear it represents something else. This is a post-9/11 world. Fuck civil liberties, we have a no-fly list and Gitmo, and if the American people
really cared, they’d do something other than watch Simon Cowell read aspiring singers to filth. What does Captain America stand for in this moment of crisis?
Nothing. Because he just looks away from Sally Floyd. No doubt thinking, “Oh my God this bitch.” But to underline the argument in question, Sally storms out of the interview, Ben in tow. She still has that information on Norman Osborn’s false flag operation… and while she and Ben confront Tony on everything that went down,
they decide the story should never see the light of day. Because they wouldn’t dare jeopardize the SHRA, because security is more important than the truth.
Oh.
And then Cap gets shot. And dies. He totally dies (except he doesn’t but we’ll get to that). If ever there was an unintentional thesis statement for this event, running in the late stages of the Bush era, it would be this: “It’s better to trust that the powers that be who oversee the new America will keep you safe, even when they stage false flag operations, stick you in a gulag, and put their trust in monsters. All that civil liberty stuff was the old America. And the old America was hopeless. It wasn’t even on MySpace.”
Epilogue: Consequences Keep Consequencing As you can tell from that last paragraph, a lot of the fan reception to
Civil War likely had a lot to do with the period. This was the Bush era, a time where you were for America or against it. We were in the shadow of the Patriot Act, Gitmo, and widespread wiretaps, paranoid about what civil liberty we’d be asked to put on the pyre next in the name of Freedom. A story all about the warm, clenching fist of government control that tells you to ignore the collateral damage… well, it wasn’t great for the cultural moment.
The ideas of
Civil War aren’t necessarily bad ones. I frame Cap as the liberal dream of what America could be, but there are good arguments to be made that America has never been that and Cap is just copium for liberals. His most recent title,
Sentinel of Liberty, opens with Steve saying he is out of touch with the average American - not because he doesn’t watch NASCAR, but because he’s a WWII veteran who looks maybe 30 years old at most and whose best friends are all superheroes or spies. A narrative that has him on the wrong side of the issue and detonates his beliefs isn’t
impossible, but it probably shouldn’t be one where people who got powers due to a fluke of birth or a radiation accident are told by the government, “Join with us or we’ll send supervillains after you.” Hell, as the
Civil War movie proves, there is a way to tell a story about a superhero community torn in half by the idea of mandatory registration as government-controlled actors, and just why people would think that could be a bad idea (“Hey, remember when a good chunk of our intelligence apparatus turned out to be Nazi stay behinds?”).
But in the context of the era, and coupled with the execution,
Civil War felt like a hard sell, and you could feel the thumb pressing on the scale every second while reading it. The moral center of the Marvel Universe is wrong, the winning side employs sadistic murderers and has an extradimensional Gitmo, and the writer is telling you that any sane individual would be on Team Green Goblin Employer.
So how did that all work out? Well…
- With Cap seemingly dead, shot by his brainwashed love interest Sharon Carter as part of a plot by the Red Skull, Bucky Barnes/the Winter Soldier becomes the new Cap. Only it turns out Steve wasn’t killed, but shot with a time bullet that Billy Pilgrims his ass. He eventually comes back.
- Thor comes back, finds out what Tony did, and beats his ass all the way across post-Katrina New Orleans.
- The Secret Invasion event happens next, which leads to Skrull infiltrators hitting everything (this is also the explanation for Captain Mar-Vell’s miraculous resurrection: He was a Skrull all along). With Tony caught with his pants down and Norman Osborn seeming to save the day, Norman - who has been losing his shit for some time - takes over the Initiative and forms his own fascist cabal, HAMMER. To try and stop Norman from learning everything on every hero ever, Tony goes on the run and actually starts deleting his own brain, which he then reassembles with a backup from before anyone even thought of the SHRA. The fact that getting rid of Tony’s “Oops I did a fascism” period came out alongside Iron Man hitting theaters is a coincidence, I’m sure.
As for Spider-Man? It might not shock you, but having a hero without the resources of Tony Stark out himself to the world carries liabilities. An assassin who tries to kill Peter instead hits Aunt May, and it appears she’ll die of her injuries. All this leads to
One More Day… and if you thought the fans hated
Civil War? Oh, BABY.
[1] This is eventually explored in the pages of
Wolverine, of all books, as Wolverine decides maybe somebody should track down the person who actually killed hundreds of children. It’s revealed that Nitro was given power-boosting drugs by the CEO of Damage Control, Marvel’s designated “clean up after the super-battle” corporation, as a way of generating business. In a sign of how little this matters, Wolverine tells Maria Hill to her face that the person responsible for a mass casualty event is the pawn of a powerful conspiracy,
and she basically says, “Not my problem.” Cobie Smulders must thank the gods that her Maria Hill is written as somebody with basic human decency.
[2] Hilariously, when Sally Floyd was brought back during Nick Spencer’s
Captain America run because no one had piled enough dung on her corpse, this line was retconned to her
asking him about Twitter. Given everything Elon’s been doing lately, we’ll see if that ages just as poorly.